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#Drama bairi piya tv
The astounding popularity of this unlikely hero was suggestive partly of the changing bias of a rapidly progressive TV audience, inadvertently redefining their perception of the attributes of a conventional hero. The flawed protagonist, mimicking life, disturbed the audience with his weaknesses, resulting in many remembering Bairi Piya as a 'melodrama with a difference. Moving away off the beaten path from the classic ‘Cinderella code’, Bairi Piya depicted its ‘hero’ as a tarnished, morally ambivalent figure, realistically imperfect & riddled with contradictions. Amoli brings about his fall from grace & ultimately his rise to virtuous glory. The show traces Thakur Digvijay’s agonizing journey from lust to love as his unlikely nemesis. A poor farmer’s daughter, Amoli fights the Thakur’s amorous advances with an unshakable inner resolve, which in turn fuels his obsession even further. The lofty Thakur rules with the same unctuousness as his ancestors did before him, until his path crosses Amoli’s. The story follows the lives of debt-ridden farmers trying to eke out a living under the servitude of the charismatic autocrat Thakur Digvijay Singh Bhadoria.
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The Women Rights Commission even pleaded for the show to be discontinued on the grounds that the practice of taking young girls to fulfil landlords' needs was not admissible for open public viewing.
#Drama bairi piya series
Though the series started with the intent of highlighting the problems faced by the poor peasants of Vidarbha region of Eastern Maharashtra, that track was soon relegated to the backburner after receiving much criticism, despite revealing the true miserable conditions of poor peasants. The initial episodes accentuated the stark reality that morality was a luxury many families couldn’t afford. Vikas Sharma, Vishal Sharma & Sandeep Bhattīairi Piya (loosely translated as ‘Cruel Beloved’) is an Indian soap opera.īairi Piya is an atypical love story painted across a canvas portraying the predicament of destitute farmers & their families.
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Sandiip Sikcand, Prashant Bhatt, Shivangi Singh Chauhan & Madhura Rapsang Suraj Rao, Santosh Kolhe, Deepak Chavan, Randeep Shantaram Mahadik & Fahad Kashmiri (October 2011)Īnil Nagpal, Anshuman Sinha & Vandana Tewari Please clean it up to conform to a higher standard of quality, and to make it neutral in tone. This article may be written from a fan's point of view, rather than a neutral point of view.
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